1.6.06

the human dilemma

the human dilemma is consciousness in contingency

the essential intuition of consciousness is freedom
- it's freedom

and yet always the knowing that this freedom is
contained

the containment is the world - is contingency

consciousness is in the world - it has no context
without the world - i.e. outside the
world

'outside the world' is a concept consciousness
cannot formulate - except in an imaginative
negative way

the point is that consciousness knows itself as
within -

it is the 'being in the world' - this knowing -
which is the foundation of the assertion 'I'

that is consciousness - that is self -

it is 'being in' that defines consciousness -
gives its universality - a particularity

the primal intuition of freedom - is consciousness
knowing itself - knowing itself as universal

without the constraint of particularity -
of contingent instantiation

this knowing though is essential

(it never leaves consciousness)

consciousness operating in the world - is the real
as distinct from essential knowing of consciousness

consciousness aware - not of itself - but of -
the world -

and so two realities for consciousness

consciousness as essence - the essence is - freedom

consciousness as reality - the reality - is contingent

the dilemma of consciousness is the reconciliation
of itself

understanding the paradox of essence and reality

freedom and contingency

there is no movement here

no movement above and beyond

sorry George

the dilemma is fixed -

any imaginative movement to a higher reality -
a reality of resolution

is wishful - is flight

p.s.

consciousness is always aware of its essence -
its freedom

in any moment in reality - in contingency

finding the place of freedom

is an art

and the art is to find that contingency which gives
peace from the struggle

and by the by

art is consciousness' assertion -

and assertion in the face of the unknown

the expression of freedom as freedom

whatever its form

its language -

its shape and colour

it is finally 'the assertion of'

the being of consciousness

as free -

art is in this assertion too

an invader

it invades the characterless world of pure being

and asserts a reality

it recognizes the unknown

but is never accepting of it

it creates in the unknown

gives it form and content

however

the unknown is not thus diminished

it is just characterized

these creations of consciousness

are ephemeral

they hold only - really for the moment
of their creation

it is only human vanity

the need for permanence

that leads to the idea of art

as something above and beyond

time and place

we think a physical form

a physical expression lasts

and even that the idea of it might

survive corruption

this again is more to do with desire
than reality

at the end nothing penetrates

every creation

a hit that misses